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・ Karla Deras
・ Karla DeVito
・ Karla Drenner
・ Karla Echenique
・ Karla Erbová
・ Karla Estrada
・ Karla F.C. Holloway
・ Karla Faye Tucker
・ Karla Frister
・ Karla González Cruz
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Karla Höcker
・ Karla Jay
・ Karla Jensen
・ Karla Jessen Williamson
・ Karla Jiménez
・ Karla Karch-Gailus
・ Karla Kienzl
・ Karla Klarić
・ Karla Kuskin
・ Karla LaVey
・ Karla Linke
・ Karla López
・ Karla M. Gray
・ Karla MacFarlane
・ Karla Martínez


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Karla Höcker : ウィキペディア英語版
Karla Höcker

Karla Alexandra Höcker (1 September 1901 – 15 October 1992) (also used the pseudonym Christiana Rautter) was a German writer and musician.
==Biography==
Karla Höcker's father Paul Oskar Höcker was already a best-selling author when Karla was born, in Charlottenburg. Her grandfather, Oskar Höcker, and her great-uncle, Gustav Höcker, were likewise writers. Karla was initially trained as a musician; she studied at the Berliner Musikhochschule and became a musical director. Soon, however, she began to work as a writer, especially after her father fell ill and she had to assist him. She worked as a journalist and a writer about music, before becoming a professor of music in Berlin. She received an honorary degree in 1977.〔(【引用サイトリンク】url=http://www.luise-berlin.de/ehrung/h/hocker_karla_alexandra.htm )
In the 1920s and 1930s, she was a member of the Bornimer Kreis, a circle of architects, musicians, writers, and other artists and intellectuals; the nucleus of the Bornimer Kreis consisted of landscape architects Karl Foerster, Hermann Mattern, and Herta Hammerbacher. Members included pianist and composer Wilhelm Kempff, conductor and composer Wilhelm Furtwängler (whom Höcker later went on tour with), and architects Otto Bartning and Hans Poelzig.
She spent World War II in Berlin, and published a war memoir, ''Beschreibung eines Jahres: Berliner Notizen 1945'', in which she noted, with surprise, that the Red Army did not kill or deport the majority of the civilian population, and, like other authors of the period, spoke of how Berlin in 1945 and 1946 was felt to be in an "in-between" time. After the war, she became friends with Dietrich Fischer-Dieskau, one of the greatest Lieder performers of the post-war period, and later collaborated with him in his writings.

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